The Harry T pope Soundcheck

On a rainy day in Brussels, I found myself connecting virtually with an equally rainy day in London. Despite the gloomy weather, Harry’s energy and warmth lit up our conversation.

What stood out most was Harry’s passion for exploring contrasts in his music - melding intricate jazz harmonies with the raw energy of rock and the accessibility of pop. His insight into balancing complexity and simplicity was both thought-provoking and inspiring, showcasing the depth behind his unique sound.

A Musical Foundation Built at Home

Harry’s journey into music began quite literally at birth. Raised in a household where music was as natural as breathing, he attributes his musical ear to the songs his parents sang to him as a child. “I have a theory that being sung to has a profound impact on pitch,” he muses.

Music wasn’t just background noise in Harry’s childhood — it was the fabric of his family life. His father, a classical conductor, balanced leading orchestras with playing keys in a function band, while Harry’s mother, despite not being a professional musician, is a gifted singer. “I can see how both of their influences merged in me,” Harry reflects.

Harry fondly remembers his first attempts at songwriting, inspired by the Jonas Brothers and fueled by Disney Channel marathons. “My lyrics were about the most generic kid stuff,” he laughs, “but they were mine.” By 13, when he picked up the guitar, songwriting became a means of processing emotions, and by 16, he realized, “no one else is going to sing these songs but me. Only I believed in them at that point.” This conviction marked the start of his journey as a musician and vocalist.

Crafting Layers of Sound

Initially, Jazz became part of Harry’s style in resistance to the classical method. “I was never a particularly good sight-reader and in Jazz it’s all chord charts, so I could just make stuff up,” he laughs. (Author’s note: Definitely not what drew me to jazz. Also, and that’s completely unrelated, please don’t ask me about my own sight-reading.)

Quick dive: Chord Charts in Jazz

In jazz, chord charts are the roadmaps musicians follow to play a piece of music. Unlike traditional sheet music, which notates every note, chord charts only show the chords (the harmony) and the structure of the song.

The head is the main theme of the song, usually played at the beginning and end. It’s the melody and the overall form of the tune, often just a few simple lines that everyone plays in unison. After that, the magic happens: improvisation. This is where jazz musicians really shine. They play "off the chord changes" - improvising melodies that fit the chords in real-time, but with a huge amount of freedom.

The chord chart will tell the musicians what chords to play and when to switch to the next one, but the specific notes they play are up to them. These chords might have different extensions (like 7ths, 9ths, or 13ths), making the harmony more complex, but the chart gives the basic structure. Musicians interpret the chords and create new melodies every time they play the song, which is why no two jazz performances sound exactly the same.

“Guitar was cool for riffs and rock,” he shares, “but piano unlocked the harmonic complexity I craved.” He recalls discovering Jacob Collier coming out of his In My Room era. “That album was a revelation. It was like hearing the kind of music I didn’t even know I wanted but always needed,” Harry says while being absolutely right about Jacob Collier (Author’s note: can you tell I’m a fan?).

At university, Harry benefited from a variety of societies ranging from Jazz, through Classical to Musical Theatre. “Being surrounded by all this music led to the diverse sounds you can now hear in my tunes” he says.

Harry’s multi-instrumental fluency shapes his compositions. “Even when I’m writing on one instrument, I’m mentally arranging for a full band,” he explains. He credits this holistic approach to his background in classical composition and his early experiments, like figuring out how to replicate the layered sounds he imagined in his head.

Following Inspiration And Instinct

Harry’s songwriting approach is as varied as his influences. Sometimes inspiration strikes like lightning, producing a fully formed song in mere minutes. His track “22 Now”, for instance, emerged after hearing someone sharing their thoughts on this life chapter in a YouTube video. “I rushed to the piano and played it almost exactly as it is now,” he recalls. Other projects, like the jazz ballad “11:11,” evolve over months or even years. “Even now I am working on songs I came up with two years ago.”

A defining element of Harry’s process is his trust in instinct. “There was a time when I forced complexity into my music because I thought it was what I should do. It didn’t feel authentic,” he admits. Now, he lets songs flow naturally, embracing simplicity when it feels right.

Harry’s instinct-driven process is evident in his anecdotes. He remembers writing “Stay Away” on a whim late at night. “The phrase ‘I’m trying to stay awake’ popped into my head because I was literally tired. Then it shifted into ‘stay away’ and became something much bigger,” he shares. By tapping into fleeting moments of creativity, Harry transforms the mundane into the profound.

Vulnerability in Songwriting

One of Harry’s greatest strengths as a songwriter is his ability to blend deeply personal experiences with universal themes. "Stay Away," for instance, is a breakup song that emerged from his own emotional landscape, though he wasn’t personally going through a breakup at the time. Instead, he drew on the pain of a friendship falling apart. "The chorus kind of wrote itself," he recalls. "But with the verses, I had to dig deeper. I thought about my own experiences, particularly a toxic friendship, and also about my wife’s perspective. There’s a line in the bridge, 'Boy, if you did something I can’t accept, then why try to explain?' that came from imagining what she might have thought during tough moments in our relationship.

This openness is not without its challenges. "When you write from a personal place, there’s always a risk of feeling exposed," Harry admits. "But I’ve learned that leaning into vulnerability often leads to the most genuine art. It’s about showing the parts of yourself you might otherwise hide." He describes songwriting as a form of therapy - a way to process emotions and connect with others.

Harry’s approach to songwriting is grounded in writing honestly about his current experiences. "I think the best songs are the most personal to you. You’ve got to create for yourself, but also find a way to make it accessible to others," he shares. "It’s about tapping into something that feels universal while still being true to your own story." For Harry, the challenge lies in striking a balance between the personal and the universal. He often crafts his choruses to feel more general, allowing for broader resonance, while the verses offer a space for deeper, more specific exploration.

Writing songs that draw from real experiences can be both rewarding and uncomfortable. "Being vulnerable means exposing parts of yourself that might make you feel raw," Harry admits. "But that’s where the most genuine art comes from." The reflection on personal moments also extends to his relationships, where his wife’s observations often influence his lyrics. "Sometimes, when I’m writing, I think about what she would say if she were telling the story. Those insights add a layer of truth to the song that wouldn’t be there otherwise."

Ultimately, Harry sees songwriting as a way to connect with others through shared experiences. "The more personal I get, the more listeners relate," he says. "It’s a reminder that, no matter how unique our stories seem, we all share a common humanity."

A Community in Focus

Harry’s connection to his musical community is evident in the collage-style cover of his debut EP. Inspired by The Beatles’ Revolver, the cover features a mix of personal and professional influences - family members, friends, collaborators, and teachers - each contributing to his journey. “It’s a way to celebrate everyone who’s been part of this,” he says, emphasizing the importance of collaboration and support.

The idea for the collage came from a desire to involve those who shaped his artistry. “I started with a list of names in my phone,” Harry shares. “Family, school friends, bandmates, teachers - everyone who’d played a role in my life. I asked them to send me the quirkiest photos they had. The result was a chaotic yet deeply personal image that tells my story better than words ever could.”

When it comes to aspirations, Harry’s goals are as thoughtful as his music. While he dreams of playing Glastonbury, his more immediate wish is to support The Lemon Twigs, a band whose retro-pop style he admires. “Their audience is passionate and open to diverse sounds - it’s exactly the kind of space I want to perform in.”

A Musical Mosaic

Harry T Pope’s music is a mosaic of experiences, influences, and emotions. From his early days inspired by pop-rock to his self-guided journey through jazz and theory, his artistry is a testament to the power of following one’s instincts. As he continues to explore new sounds and push creative boundaries, Harry remains committed to the core values that have defined his work: authenticity, collaboration, and a deep love for the craft.

As our conversation wraps up, one thing is clear: Harry’s unique voice, both literally and figuratively, is one we’ll be hearing a lot more of in the future. Whether it’s through a heartfelt ballad or a groove-laden pop track, his ability to capture the complexity of human emotion ensures his place as an artist worth watching.

ARTIST’s TOOLKIT: Favourite chord

Harry’s favourite chord substitution is using the the flat VII chord in a major key as a replacement for the dominant.

To voice this chord, Harry uses a 13th chord, which is essentially a dominant chord extended with an added 13th, creating a rich, full sound. On keys, he plays it like this: in the left hand, the root of the chord; in the right hand, the thumb on the 7th, the index on the 9th, the middle on the 3rd, and the pinky on the 13th. This voicing highlights the complexity of the chord while keeping it accessible and expressive.

13th chords are Harry’s go-to, adding a deep, jazzy flavor to any progression.